Several people wondered what it was about the toaster that was 'terrible'. Do you mean to say that you all have good toasters? Toasting quickly, efficiently and evenly? On both sides?
Unless you paid over a hundred quid for it, please let me know make and stockist. And what setting you favour, for on any toaster I have ever had, 3 is barely warmed and 4 equals burnt. Often, in the mornings, from René and Denise's over the lane in Petit Jarletou, wafts the arôme of burnt toast as the Moulinex or whatever strikes again. Have we even got the technology to produce a decent toaster.
That the British and French have command of wonderful technologies is in no doubt. The Millau Bridge. Those airliners they produce jointly in Toulouse. The Caverne Chauvet.
Ou?
Who said Ou?
We saw in the paper that the Caverne, discovered above the Ardèche in 1994, by two potholers, M. Chauvet was one, was about to be opened to the public. Well, not the Chauvet cave, but the Caverne du Pont d'Arc. After the Chauvet discovery, the archeologists, anthropologists, scientists, trod, both literally and metaphorically, much more carefully than they had with Lascaux, not wanting to invest the 36,000 year old marvel with the same environmental disaster.
For once, committees and meetings, and government intervention, produced a brilliant solution. Walkways were installed, security systems, some sort of environmental control method, and for a short time, British and French experts recorded every inch of the cave digitally, then the one entrance was sealed. Cameras and police survey it permanently. Scientific visits are allowed for only two hours, five times a year.
Then, after huge investment from the French government, the work began. Sculptors, artists, designers, model makers, began recreating the most significant areas of the cave. Every stalactite and gmite, each quartz pebble, fluted rock towers, rippled wet walls, tilted arches tiny niches, smooth rock pavements and soft sandy floors were recreated in exact detail. (On two different surfaces, an ancient artist had smeared clay to make the relief he needed. We know it was the same artist because his fingerprint on one, matches his print on the other.) a rock formation like an organ. Another like a folded pink curtain.
The amazing paintings of bears, cave lions, rhinoceros were reproduced here, near Bergerac. Many paintings show hunting scenes, and as the animals flee past you, round the rock shoulder and into the cavern, getting smaller the further they are, you realise that these hunter painters had a perfect understanding of perspective. And there are depictions of an owl. A panther, unique in prehistoric art. Handprints of children, teenagers and adults. And in the sandy resin of the floor, beside the bones and teeth of huge animals, a human footprint, deeply moving even though it is a reproduction.
Because you realise that, not far away, the real one exists in the real cave.
All this was built inside a beautiful architectural structure that can be seen from Vallon Pont d'Arc below. So you feel like you are walking around a cave, but you are not below ground, not cold, not stumbling on an uncertain surface.
It is an amazing international cooperative achievement. For this reason, as much as the intrinsic wonder of the original cave, the whole project has been granted World Heritage status by UNESCO. It moves and inspires and makes one wonder why man cannot cooperate like this more often.
Maybe then we could have a better toaster.